A pale-skinned woman with fleshy
love handles pressed a sheet of cardboard against her naked chest. Her sign read PHOTOS OF TITS FOR $. A short, pudgy lady entirely painted in
glittery silver waddled past me as I stared.
She wore only a pair of panties; two Saints’ logos covered her nipples. Leaning
out of a doorway nearby, a thinly clad black woman wore undergarments that
accentuated her toned muscles and barely-hidden lady-parts. You didn’t need a resume to find work on
Bourbon Street.
If you couldn’t get hired by a
professional to sell your body, then you could expose your skills right there
on the street and earn pocket change or sweaty, crumbled-up dollar bills. The pedestrians who strolled down these
sidewalks were likely to pay to satisfy their baser, bodily urges. The famous street in New Orleans’ French Quarter
is the perfect market for bizarre commodities.
If there is a supply, no matter how
vulgar, there must be a demand for it. I
saw a disheveled, dorky-looking homeless man who held up a sign that read: “For $5 you can kick me in the ass. For $10 you can kick me in the balls. This is no joke. I’m that desperate.” I wondered how many sadistic customers
support this shameful business. I find
that many people don’t have the gall to meet a homeless man’s gaze, so what
kind of person would kick a man while he’s already so down on his luck? I was both fascinated and ashamed of the man’s
desperation, but I wandered about my role as a tourist in a deviant, sex-infested,
morally-corrupt side of town.
When I travel, I search for views
pleasing to the eye and meals that satisfy my taste buds. I search for the places that distinguishes the
city from other spots in the world. This
is a very common goal among vacationers.
We find a beautiful beach with soft sand or a cozy ski-lodge with easy
access to smooth, downhill rides. But
there, too, is a perverse side of travel in which the wanderer seeks strange
places stained with dark histories.
I’ve been to the battlefields of
Gettysburg and a penitentiary in Philadelphia that housed Al Capone. I visited the former on a field trip to learn
more about the fight to preserve the union and to appreciate the dead whose
blood stained the soil over a century ago.
But the grass I saw was green, not red, and the earth, although it may
contain the skeletons of soldiers, swallowed the evidence of war.
The prison, too, was a relic of the
past. It was decommissioned in 1970, and
soon nature threatened to overtake the facility. The wild grasses in the exercise field were cut,
but the paint on the barred doors is chipped and the metal is rusted. Even though the stories inside those cells
are relatively young, the layout of the prison, although a break-through at
first, is mostly outdated. This is a
window into the past with a distant view of rapists, murderers, and famous
gangsters, but their lack of immediacy only stirs my imagination and reminds me
of black-and-white crime pictures from the Warner Brothers’ golden age.
There is something that happens to
a story when all the players are gone and the buildings grow decrepit from lack
of use. Such important events become
lodged inside books in the form of bold words that grade-conscientious students
highlight for answers to possible test questions. With each successive generation, both the
details and the emotions fade. Upon
discovering the horrors of the Holocaust, I was horrified, but not as much as
those who witnessed the concentration camps firsthand in the 1940s.
I remember being shocked on the
morning of September 11th while watching the Twin Towers smoking on television,
and I will always remember where I was when I heard the news, as many Americans
will. Twenty years from now, 9/11 will
be a history lesson studied by kids who weren’t alive during the terrorist
attack. They couldn’t possibly
understand the vulnerability one felt and the slight tinge of fear when one
boarded a plane for the first time after all those jets were hijacked. There are certain moments that need to be
lived to be truly understood. The
aftermath of disasters can provide insight, but time dilutes the effects.
I have never visited Ground Zero,
but while I was in New Orleans I wanted see the evidence of another deadly
story of my country’s past. I wanted to
see the Lower Ninth Ward where Hurricane Katrina inflicted the most
damage. At the hostel where I stayed, I met
three German women and a man from Singapore, and I asked them if they wanted to
see the neighborhood wrecked by the hurricane.
They all agreed, and we took a bus to the Lower Ninth Ward.
As the facilitator of this
unplanned detour, my friends followed me as though I knew what I was
doing. When we got off the bus, I wasn’t
sure what to look for, or even in which direction to head. I had recently led us to a Park Service
walking tour that was cancelled, so I didn’t want to disappoint them again with
an uneventful outing. I felt a perverse
desire to show them memorable destruction.
I yearned to see damaged houses and to discover stories full of death,
racism, and a lack of justice by the U.S. government and President George W.
Bush. I was slightly troubled by this urge,
but, after all, wasn’t this partly why I wanted to visit New Orleans?
The sidewalks were uneven, and
there were sections completely overgrown with high grasses, but that was the
worst you could say about the neighborhood so far. It seemed like any other low-income
area. I scrutinized roofs for damage and
pointed desperately at sheds with crooked frames. There was a shelter that looked like a gas
station with its guts ripped out.
Underneath the awning, scraps of wood were strewn about, and I could
only guess what the place was once used for.
After we crossed a busy road, we
were the only ones walking through the streets.
There were no stores or cafes nearby.
Aside from the traffic behind us, the place seemed deserted until we
passed a black man cutting his grass.
Upon seeing us, he cut the engine on the mower and opened the gate to
his fence and greeted us with enthusiastic fist-bumps. In a very welcoming manner he asked if he
could help us find something.
Since I was the one who initiated
the plan, I decided to be the spokesman of our little group, but I wasn’t sure
how to word my request. I didn’t want to
say, “We’re searching for homes that were damaged by Hurricane Katrina.” This man lived here, and there’s a good
chance he was around when the neighborhood flooded in 2005. I didn’t want to treat a personal tragedy like
a tourist attraction. Fortunately, I didn’t
have to say anything.
“Are you all searching for the Brad
Pitt homes?” he asked.
Having recently read that Brad Pitt
donated money to rebuild the neighborhood, I indicated that this was precisely
what we were looking for. I had no
alternative plan, and this was the best lead I could find. The man didn’t ask us why we were here. He gave us directions, wished us a pleasant
day, and returned to his yard work.
We followed the man’s instructions
and turned into the right neighborhood when we passed a white man in the bed of
a large truck designed to haul construction equipment. As we passed him, he asked us in a southern
drawl what we were doing here. I
explained that we were looking for the Brad Pitt houses.
He pointed toward a colorful house
raised above the ground and said, “They’re the goofy-looking ones.”
I thanked him, and we carried on
until he ushered us back.
“Wait a minute,” he said. “I was talking to you. I want to know what you’re doing here.”
I trekked back to the man alongside
Ian, who is originally from Singapore but is studying in Chicago. We stood behind the truck as the man sat down
on the bed and dangled his legs toward the ground. The three German women halted roughly ten meters
behind us.
“Tell the girls to come over here,”
he said. He heard them conversing with
each other in German. “They speak good
English?” he asked.
“Yes,” I said, then told the girls
to come over while silently trying to reassure them that no harm would come out
of this. When we entered the low-income
neighborhood, I told them I was showing them the real and impoverished part of America
that few foreigners see. I’ve heard a
few Europeans admit that when they came to America, they worried about being
shot. With this in mind, I tried to
convey to the Germans that, yes, this man is probably undressing you with his
eyes and he’s hoping that this trivial encounter will somehow lead to the
bedroom but as long as the sun is still out nothing will happen.
When the Germans neared the man, he
asked them all their names and what they thought of New Orleans and America in
general. The Germans said they liked
them both and didn’t delve into specifics.
After the man finished questioning the Germans, I asked him what he was
doing here. He was leveling out a plot
of land. He encouraged us to return in a
half hour to see the finished project and so we could talk some more. Before we parted, he told us to be careful,
and we vowed to avoid this particular route when we returned to the bus
stop.
The Brad Pitt houses are brightly
colored boxes on stilts. The structures
are simple and symmetrical but massive and highly functional. If another hurricane strikes the area again,
these houses won’t float away. Instead,
the water will run underneath them. You
could even park an SUV under the house to keep it out of the rain.
As we perused the neighborhood, a
black man from across the street sat behind a table covered in T-shirts with
Brad Pitt on them. He ushered me over
from across the street and asked us where we were from. He was trying to create an open and friendly
environment for visitors to learn about the destruction of Hurricane Katrina
and the efforts to rebuild the area. During
relief efforts, the neighborhood, largely consisting of African-Americans,
developed a distrust for white people visiting.
Although this attitude wasn’t helpful, I began to understand their
disdain.
When I was in junior high, I
remember listening to Jay-Z’s song “Minority Report” in which the rapper criticized
George W. Bush’s slow response and accused the president of hating black
people. I had seen photographs of black
families stranded on rooftops, and I heard that the Superdome was used to house
locals who couldn’t evacuate the city.
In other words, only the poor were left behind. The evidence was eye-opening and racially-charged,
but there were many shadowy details de-emphasized or ignored.
The man selling the Brad Pitt
shirts pointed me toward a museum of remembrance where I read an account of
someone who sought refuge in the Superdome.
Inside, the refugees roasted in the heat and spent nights in complete
darkness. They went to the bathroom all
the over the place. Dead bodies were not
removed. I once thought it was an incredible
gesture that the city transformed a football stadium into a safety shelter, but
I changed my opinion after learning the horrid conditions that news agencies
weren’t able to show.
As the flood raged on outside, people
waded through the murky water searching for food in damaged convenience
stores. A picture of a white couple was
accompanied by a description of the two finding
food. A black man had the same idea, but
his actions were labeled as looting.
The police forces were given
permission to shoot looters, and several black people were killed for breaking
laws that should be abolished during the chaos of deadly disasters. If my house floated away and I swam through
seawater where I usually walked, I would take a loaf of bread in an abandoned
gas station, and I wouldn’t think to leave the money on the counter. What use is money or laws when everything you
know is floating away?
I read survivors’ accounts of
watching relatives fall into the water and drown, and they were left to grieve
on a rooftop slowly sinking beneath the encroaching ocean. The levees weren’t built properly. Relief was slow. White cops gunned down blacks in the name of
the law they were clearly breaking. To
local authorities, this natural disaster seemed a convenient way to flush out
the unwanted black neighborhood, so it was no wonder that some blacks didn’t
want privileged whites poking around in their neighborhood.
Contrary to the rumors that the
area was unsafe, all the blacks I met were very welcoming and friendly, but the
whites I encountered were skeptical of my presence and made me feel as though I
were in danger. As my friends and I walked
back to the bus stop, a white guy driving a pick-up stopped next to us and
rolled down his window.
“What are you doing here?” he
asked.
The truck driver helped me realize
why I was searching for destruction. I
was nowhere near Katrina when it struck the southern United States, and my home
has never been damaged by storms. Aside
from one caved-in roof and high grasses sprouting through the cracks in the
sidewalk, I saw little evidence that this area was ever ravaged by both
flooding and injustice.
The people still
bore the scars, but even those were fading with each plot of land leveled and
every new house constructed. We don’t
visit sites like the Lower Ninth Ward or Ground Zero or Auschwitz to reimagine the
horrors that occurred there. We visit
these places to pay witness to a resilient people who have seen death on a
massive scale but found a way to keep on living.




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